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Tuscany, Italy | Adnan Bubalo


#TBTAfrica: Vintage photographs of women in Nigeria.

Will I ever be this fabulous?


Vintage Studio Photography by Adama Kouyaté.

Although we’re all familiar with the iconic images of Seydou Keita and Malick Sidibe, one of my favourite vintage Malian photographers who emerged during the same period as his aforementioned counterparts, and seems to not be mentioned as often, is Adama Kouyaté.

From restless children and women imitating ‘okada’ drivers, to straight-faced adults, fashion-conscious youth, and serious jokers and posers, Kouyaté photographed a highly diverse range of individuals.

He was born in 1928 in the small town of Bougani which was then a part of French Sudan. In 1949, Kouyaté opened his first photography studio in the city of Kati called “Photo Hall Kati”. Shortly after, over a period of ten years, Kouyaté began a tour of neighbouring West African states. During this time, he visited Lomé, Togo, Abidjan in the Ivory Coast and Ouagadougou, Burkina Faso. He eventually settled in Bouaké where he set up the “Photo Hall Ivoire” studio.

After the military coup of 1968 in Mali, Kouyaté returned to his home country and set up a photo studio in Ségou. To this day, he lives and works there.

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#TBTAfrica: Vintage photographs of individuals from (Southern) Africa.

Location unknown but judging from their attire and hairstyles, my assumption is Southern Africa.


A series of photographs taken by Cameroonian photographer Samuel Finlak.

Finlak was born in 1958 in Mbem in the North West Province, where he learnt photography. For the last 20 years he has lived in the village of Atta. As the only photographer in the area he has photographed all resident ethnic groups.



Portrait of an Igbo student in domesticity class, 1967, Drs. G.W. (Gerrit Willem) Grootenhuis.

(via dynamicafrica)


Les Alpes : Vallée de Serre Chevalier (by TOURRAL Thomas)

(via fuckyeahlandscapes)


The World War I in Africa Project Sheds Light On An Often Forgotten Part of History.

As a student of history for all my years of secondary education, I can’t say that I never learned about World War I, the events leading up to it as well as the aftermath it had on Europe and to some extent the United States. Perhaps we never delved into it in quite as much depth as we did World War II, but even then, I’d be hard-pressed to think of time where my history teacher (bless her soul) ever mentioned the impact that the First World War had on Africa and Africans. Such a truth wouldn’t concern me if the circumstances were different; if I wasn’t at a school in an African country, if I weren’t an African myself, if I wasn’t one of five black students in a history class of over 20, if I didn’t come from a country that was colonized by the British (who, as history goes, love war).

But all these things were and still are a part of who I am, and it is for these reasons – and so many more, that the World War I in Africa project is incredibly important learning for me. Even beyond the personal connection of history and heritage, the ignorance of many to the involvement of Africans in World War I and the integral roles the played speak to a much broader concern of the omission and reduction of black people and Africans in many important events in Western history.

It’s been 100 years since the First World War began. 100 years since the first shot fired by British troops occurred in what is today known as Togo, on August 7th, 1914. 100 years gone by and still, the world is yet to actively include and universally commemorate the lives of the estimated two million Africans who in some way contributed to the efforts of their colonial empires during this bitter war of the 1910s. World War I was indeed what its title refers to it as – a war that saw involvement on a global scale.

From the Gold Coast to German East Africa, Algeria to the southernmost tip of Africa, a new initiative is bringing to light the forgotten ways in which European politics brought the Great War to African homes. Through the efforts of World War I in Africa project, we are provided with a multimedia database that both highlights and archives the ways in which African lives were affected by a war they had no agency in. Because what happens in Africa should be told around the world.

World War I in Africa.

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Morocco. Marrakech. 1998

(via dynamicafrica)